David Guterson's on Snow Falling on Cedars

The towns multitude would be immobilise to discover that the man whom they see as cold and/or f declineened is at that moment, despite his predicament or because of it, late appreciative of the travel snow. He is neither a form or an animal, as they see him, but a deeply moved human being who maintains his connection with nature and the hit of the world.

Racial stereotyping is based on seeing the victim of racial discrimination as just much(prenominal) a machine, or animal, or non-human entity. Reducing the hated and/or feared soulfulness to such non-human office allows the racialist to treat the individual as a occasion rather than as a fellow human being, a fellow child of God, whatever his or her race or skin color or language or offer of origin. The object of racism is first to see the "foreigner" as so "different" from the antiblack that he cannot be sure to behave or think or feel as the racist behaves. thinks and feels. As Alvin Hooks says to Kabuo in the courtroom right in front of the jurors: "You're a hard man to trust, Mr. Miyamoto. . . . You turn on before us with no expression, keeping a fire hook face through---" (411-412).

At that point, to his credit, the judge rebukes the lawyer, but the author takes us inside the geniuss of the other observers to make it clear that racial stereotypes with applaud to the "inscrutable" Japanese are alive and well in those minds:

The citizens in the gallery were reminded of photographs they had seen of Japanese

Again, this man whom they see as without softness or photo is at that moment "struck" with the "infinite beauty" of the falling snow. The reader also notes in the above passage how crimson good or positive qualities can be twisted in the mind of a racist into negative or non-human qualities. What is normally seen as positive--having nobility and dignity--is in the racist mind turned into something so alien that he is seen as "not like them at all." This is a fascinating part of racist stereotyping, namely, that what is seen as an honorable quality in most people is seen as a dangerous excess in the individual who is the target of such stereotyping.

Of course, Kabuo Miyamoto is suffering at the hands of racists and racist stereotyping precisely because others cannot bear to live in a state of wonder, a state of mystery which is brought forth when one is confronted by those who are different than oneself. This is the basis of racism and the basis of practically of the suffering Miyamoto must endure. He was in a hands camp because of racism, tries for murder because of racism, lost his land because of racism, and those who commit these insensate crimes against him see themselves as superior to him. When Kabuo tries to explain why he didn't tell earlier what had happened, the white Americans cannot believe the story. They cannot understand the intellection and fearfulness of a man who has been the victim for years of such racist stereotyping. They think as people who run newspapers, mark people, run courtrooms, etc., as people with power and freedom to do as they please, not as a man who is the victim of hatred and has had to adapt hundreds and thousands of times to racist attitudes and judgments simply in order to survive.

What a mystery life was! Everything was conjoined by mystery and fate, and in his darkened cell he meditated on this and it became increasingly clear to him. . . . Every sentient being overrefinement and pushing at the shell of identity and dist
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