From the beginning of Player pianissimo assai (1952) through slaughter Five (1969), Kurt Vonn egut describes the characters of his various worlds in impairment of their victimization at the hands of a dehumanizing, or perchance a bettor term might be "deindividualizing," technologically fixated, industrial/ military society. Time and time again in these novels the role of the individual is subsumed in the miasma ...
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