Miltons multi-layered poesy Lycidas is a literary work with a florilegium of interpretations and meanings. One of the many angles from which we buns attempt to understand the poem is the meta-poetic level. Meta-poetics is quite a wide range of ideas, which generally can be described as dealing with sourceship and the poets transaction with the audience and the poem itself, as well the exploration of the summons of writing a poem. The meta-poetic, or ars-poetic, tone will lose weight on identifying Miltons emotional and psychological experiences in the process of creation-his intentions, hesitations and hopes-all in the light of the fascinating triangle of poet-poem-audience. The focus will be on the formation and reformation of Miltons psyche in the poem, as a reflection of himself and as a work of art.
When translation a work of literature, and a poem in particular, the reader must always bear in mind the poets seat and involvement in the text, but we usually use it to wrap up a deeper insight about the meaning of the poem. On the different hand, the ars-poetic imagination, which will be used in this paper, will try to look at the meaning as created equally by the poet and by the poem itself.
In this vision, a poem is the documentation of life, as a reflection of the psyche, a portrait of the author as an artist and a philosopher, and eventually as a human being. This would be a good place to watch over that Watterson quotes in his notes Harold Bloom, saying that a poetic text, as I interpret it, is not a gathering of signs on a page, but is a psychic battlefield upon which authentic forces difference for the only victory worth winning, the divinating triumph over obliviousness. The scope of this realm of interpretation is...
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