The Italian neorealist enter, Umberto D., say by Vittorio De Sica, focuses on the action of an elderly man named Umberto Domenico Ferrari, play by Carlo Battisti. The movie focuses on Umberto as he goes through a series of challenges to knuckle under off his debt to his landlady, who desperately tries to do everything in her power to use up him out to fit her rich and glamorous facade. In this neo-realistic film, Umberto D. is in post-war Italy. Through his endeavors, Umberto symbolizes the hardship and difficulties that citizens of poverty in post-war Italy went through. Umberto D. shows how people disoriented track of what was important to them in this snip of poverty as well. This film was during the end of the neo-realism film period, which means that Italy was beginning to modernize. This film also depicts how Umberto D. adapts to the modernization of post-war Italy, and how the outdated and struggling man is lento being forced to conform to modern society.
The role of Umberto is played by Carlo Battisti (Affron), who was in real flavor was a professor. mare was just 15 years old at the time (Affron). De Sica brings out the best of both of them in Umberto D.
That is the true issue of neorealism films, they are played by non-actors, depicting the scenes of everyday life
Vittorio De Sica, the director of Umberto D., had a prolific career that spanned 55 years, De Sica directed 35 films and acted in more than 150 (Biography.com). De Sica is more know in the film industry for the films that he directed, rather than the ones he acted in. De Sica was usually in collaboration with screenwriter Cesare Zavattin (Biography.com), who is also the screenwriter in Umberto D. De Sica is famously known for his post-war neorealism movies (Biography.com). Neorealism is an emphasis upon simple, honest flooring lines, a documentary style, on-location shooting, and social themes. Neorealism movies also use actors with no experience in the film industry. The...If you want to get a full essay, order it on our website: Orderessay
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